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He claims that, “to read the film as a feminist film requires the recognition that in destroying her uncle, Charlie denies the validity of bother her earlier-held patriarchal visions: man as knightly rescue from family oppression and man as satanic destroyer of transgressing women” (Hemmeter: 228). A notable exception is Thomas Hemmeter, who reads Shadow of a Doubt “as a critique of the patriarchal ideology it represents” (Hemmeter: 221). The Hitchcock oeuvre has regularly been debated as the site of patriarchal ideology. The Girl Who Knew Too Much: Shadow of a Doubt (1943) Part Two, Gone Girlīy Elaine Lennon Volume 27, Issue 1-2 / February 2023 78 minutes (19414 words)
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